you'll never walk alone - a groepshow with a first venue @ Portland PDX - oregon - US

You'll never walk alone - a groupshow curated by vanessa van obberghen with a first venue @ Portland PDX - oregon - US

opening on 15th april 2011


featuring works of:

carla arocha and stephane schraenen

Kris Fierens

david gheron tretiakoff

david hominal

moshekwa Langa

alassane babylas ndiaye

objectif-exhibitions

roberto ortega - dewulf and david wauters

alex salinas

vanessa van obberghen

Sunday, April 3, 2011

CARLA AROCHA AND STEPHANE SCHRAENEN


http://www.arocha-schraenen.com/

'DEPTH OF FOCUS

The Antwerp-based artists Carla Arocha and Stéphane Schraenen jointly make

art works of which installation sculptures and photography are currently the

most frequent manifestations. Sleek, smooth and reflective, the works readily

reference design culture.' ken pratt

770180
CARLA AROCHA °1961, Caracas / VEN
STEPHANE SCHRAENEN, °1971 / BEL
Both artists are working and living in Antwerp and work together since 2006



The art of Carla Arocha and Stéphane Schraenen evokes many relationships with preceding movements in art. Almost all of these associations relate to the umbrella of Modernism and the gradated ontology of its progeny later in the twentieth century; it evokes the formal qualities of Minimalism as much as the optical illusions of Op Art. And yet, it is actually neither. It is not what it is and it is not what it seems.
Hidden beneath the outward layers of immediate similarity is a practice that, while never denying what it admires about or has learned from these movements, remains fundamentally post-modernist; post-modern not as a visual facsimile of the received vernacular from the 1980’s, but in terms of the oft-misunderstood philosophies and bodies of theory accurately associated with the term.

Their focus is less on objects as manifest things and more with the perception of things as objects. Ultimately, their installation sculptures are flat, composed of many small components but they can be perceived a monumental and emphatic. This overt presence of the formal and conceptual in Arocha-Schraenen’s work can be deceptive. Everywhere within works – whether bluntly opaque or deceptively transparent- we encounter the narrative.


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